In fact, although he never was granted the principal post at court, from 1787 he was Kammermusicus at the court and as such was given the duty to write dance music for the Carnival seasons (he is believed to have scrawled "too much for what I do, too little for what I could do!" over a receipt for his payment from the court). While Mozart found it increasingly difficult to find subscribers for his public concerts and was offered very few commissions for large works, he was not without paid commissions, as romanticized biographies would have it. ![]() War with the Turkish Empire drained Austria's material and financial resources, forcing aristocratic families into desperate reductions in lifestyle and even the sacrifice of family members in the army. Concerts at which his works were presented-especially his own performance of his piano concertos-were well subscribed.įrom about 1787, however, circumstances for Vienna and for Mozart altered considerably. ![]() He had well-placed private piano and composition pupils. His operas were performed at court in Vienna and in her sister city, Prague. ![]() His fortunes had risen steadily during the first five years in Vienna: he and his wife Constanze had begun their family he had grown musically through the study of Sebastian Bach's contrapuntal style and exploration of single-reed sonorities and he had entered Freemasonry, and had become immersed in the activities of at least two of the nine lodges of Freemasons in Vienna. When Wolfgang Amadeus Mozart (1756-1791) undertook the setting of the Requiem, he had been living and working in Vienna for some ten years as a freelance composer and teacher, having left his family home in Salzburg and his employment there with Archbishop Colloredo.
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